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"All My Loving"
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TITLE:
"All My
Loving" YEAR:
1964 ARTIST:
The Beatles The
Beatles John Lennon
performing with The Quarrymen. Early Beatles
(left to right): Stu Sutcliffe, John Lennon, Paul McCartney,
Pete Best, and George Harrison. The
Beatles playing at The Cavern in Hamburg in 1961. The Beatles
arrive at New York's Kennedy Airport in 1964. The Beatles
make their first appearance on The Ed Sullivan
Show. One of the
first Beatles albums. Believe it or not, I still have
it! John Lennon
and Paul McCartney formed the greatest songwriting duo in
history. John
Lennon Sgt.
Pepper's Lonely Hearts Club Band : The best album ever
made? The (animated)
Beatles in the film Yellow Submarine. Paul
McCartney The album
Let It Be was a huge disappointment due to internal
bickering. The Beatles
last concert was actually the rooftop session for Let It
Be in 1969. Abbey
Road: The Beatles final album (not counting anthologies
and greatest hits collections). The murder of
John Lennon in 1980 was as shocking to the world as the
deaths of JFK, RFK, and Martin Luther King, Jr. Ringo
Starr George
Harrison The Beatles
1: The CD that produced yet another new generation of
Beatles fans. For the
official Beatles website, including a complete discography
of the band, click here. It is only
appropriate to begin our year of Beyond the Music with the
most influential band in the history of rock and roll music
- The Beatles. The impact of
The Beatles cannot be overstated; they revolutionized the
music industry and touched the lives of all who heard them
in deep and fundamental ways. Landing on these shores on
February 7, 1964, they literally stood the world of pop
culture on its head, setting the musical agenda for the
remainder of the decade. The Beatles' buoyant melodies,
playful personalities and mop-topped charisma were just the
tonic needed by a nation left reeling by the senseless
assassination of its young president, John F. Kennedy,
barely two months earlier. Even adults typically given to
scorning rock and roll as worthless "kid's stuff" were
forced to concede that there was substance in their music
and quick-witted cleverness in their repartee. Without
exaggeration, they transfixed and transformed the world as
we knew it, ushering in a demographic shift in which youth
culture assertively took over from its stodgy Eisenhower-era
forbears. The long
journey resulting in the mob scene that greeted The Beatles'
arrival at Kennedy Airport began in Liverpool back in 1958.
A series of groups, including The Quarrymen and Johnny and
the Moondogs, variously included Liverpool natives John
Lennon, Paul McCartney and George Harrison. With a rhythm
section consisting of bassist Stu Sutcliffe (an art student
with great looks and scant musical ability) and drummer Pete
Best, the group assumed the name "The Beatles." The group
became a fixture on the rough-and-tumble bar scene in
Hamburg, Germany, where their five-set-a-night marathons
helped mold them into a tight performing unit. Their early
repertoire consisted of well-chosen rock and roll and rhythm
& blues covers, running the gamut from Chuck Berry to
Little Richard. In April 1961, Sutcliffe left and McCartney
switched from guitar to bass. On the local scene in their
hometown of Liverpool, the group landed a lunchtime
residency at a club called The Cavern, where they were
discovered by a local record merchant and entrepreneur,
Brian Epstein, who became their manager in December
1961. Epstein helped
polish the group's appearance, dressing them in dapper
collarless gray suits and making them appear more friendly
than menacing. After being rejected by Decca Records
following a January 1962 audition, The Beatles signed with
EMI-Parlophone that April, having impressed producer George
Martin. In August, Ringo Starr (born Richard Starkey), who'd
been drumming with Rory Storm and the Hurricanes, was
brought into replace Pete Best. The group's first single,
"Love Me Do," briefly dented the U.K. Top Twenty in October
1962, but their next single, "Please Please Me," formally
ignited Beatlemania in their homeland, reaching the Number
Two spot. It was followed by four consecutive chart-topping
British singles, issued throughout 1963: "From Me to You,"
"She Loves You," "I Want to Hold Your Hand," and "Can't Buy
Me Love." They conquered the U.K., even inducing a classical
music critic from the London Sunday Times to
declare them "the greatest composers since Beethoven." The
group's success was based around the Lennon/McCartney
songwriting partnership, Harrison's guitar-playing prowess,
and Starr's amiable disposition and artful simplicity as a
drummer. The Beatles'
conquest of America early in 1964 launched the British
Invasion, as a torrent of rock and roll bands from Britain
overtook the pop charts. Most adults over the age of 40 can
remember the impact of The Beatles' appearance on The Ed
Sullivan Show on February 9, 1964. The group
performed five songs that night. The first, "All My Loving,"
is the MP3 appropriately chosen for this page. The Fab Four's
first Number One single in the U.S. was "I Want to Hold Your
Hand," released on Capitol Records, EMI's American
counterpart. This exuberant track was followed by 45 more
Top Forty hits over the next half-dozen years. During the
week of April 4, 1964, the Beatles set a record that is
likely never to be broken when they occupied all five of the
top positions on Billboard's Top Pop Singles chart, with
"Can't Buy Me Love" ensconced at Number One. Their
popularity soared still further with the release of their
playfully anarchic documentary film, A Hard Day's
Night, in August 1964. When all was
said and done, the Beatles charted 20 Number One singles in
the States - a number even greater than runner-up Elvis
Presley's 17 chart-toppers. For such feats of sales and
airplay alone, The Beatles can unassailably be regarded as
the top group in rock and roll history. Yet their
significance as a band extends beyond numbers to encompass
their innovations in the recording studio. The Beatles'
legacy as a concert attraction is distinguished primarily by
the deafening screams of female fans overcome by the group's
very appearance. Consequently, The Beatles began to indulge
their creative energies in the studio, layering sounds and
crafting songs in a way no one had attempted before. The
results included such musically expansive and lyrically
sophisticated albums as Rubber Soul (1965) and
Revolver (1966). For various reasons, ranging from
safety concerns to frustration that no one could hear or was
listening, The Beatles retired from touring after a San
Francisco concert on August 29, 1966. Ten months
later, they released Sgt. Pepper's Lonely Hearts
Club Band, an album that has almost universally been
cited as the creative apotheosis of rock and roll, a
watershed event in which rock became "serious art" without
losing its sense of humor (or sense of the absurd).
Realizing the band members' collective ambitions took four
months and all the technical wiles of producer George
Martin. A completely self-contained album meant to be played
and experienced from start to finish, Sgt. Pepper
broke the mold in that no singles were released from it. The
album's heady artistic reach further cemented the notion of
a viable counterculture in the minds of youthful dropouts
everywhere. Anyone who was alive in the summer of 1967 can
remember the pleasant shock of hearing it and the
reverberations it sent outward into the world of rock and
roll and beyond. In the wake of
Sgt. Pepper, The Beatles began to splinter in ways
that were, at first, subtle but that gradually grew more
pronounced. Subsequent events included the death of manager
Epstein due to an overdose of sleeping pills; the release of
the TV film Magical Mystery Tour, which earned The
Beatles some of their first negative reviews; a trip to
India to meditate with Maharishi Mahesh Yogi, about whom
Lennon wrote the scabrous putdown "Sexy Sadie"; and the
launching in January 1968 of Apple Corps, Ltd., a
disastrously mismanaged entertainment empire that helped
bring down The Beatles amid a tangled maze of money matters.
Through all
the chaotic events of the late Sixties, The Beatles managed
to retain their integrity and focus as recording artists.
Released in August 1968, the single "Hey Jude" became their
most popular single. The Beatles (1968), a double-LP
popularly referred to as "The White Album," was like a prism
that found the group refracting into four individual and
highly estimable talents. The album and film Let
It Be, recorded in 1969 but shelved until 1970,
essentially documented The Beatles' dissolution and breakup
amid internal squabbles and the presence of John Lennon's
new mate, Yoko Ono. Yet The Beatles came together and exited
on a high note, uniting in the summer of 1969 to record
their swan song, Abbey Road. On April 10,
1970, Paul McCartney announced his departure from The
Beatles, and the group quietly came to an end. Throughout
the Seventies, fans hoped for an eventual reunion, while the
group members pursued solo careers with varying degrees of
artistic and commercial success. During the
1970s, each member of The Beatles released solo albums.
McCartney, performing with wife Linda in the group Wings,
was the most commercially successful; Harrison began his
solo career with All Things Must Pass; Lennon
recorded on and off with Yoko Ono, and continued to attract
attention for his radical politics (though he semi-retired
from music in 1975 to spend time with his newborn son,
Sean). Throughout the decade, there was idle talk of a
reunion, peaking around 1976 when a Beatlesque Australian
group named Klaatu was rumored to be the Fab Four under a
false name (they weren't, though their manager and record
company encouraged speculation) and Saturday Night
Live producer Lorne Michaels half-seriously offered The
Beatles $3,000 to perform on his show. Though all four
Beatles did contribute to the 1973 Ringo Starr song "I'm the
Greatest," no genuine reunion ever took place. On December
8, 1980 all chances of that happening were ended when
deranged fan Mark David Chapman shot and killed John Lennon
outside his New York apartment. Although the
Beatles had not released any new albums since 1970, interest
in the group remained high into the '90s, their backcatalog
selling millions of copies a year and providing Capitol with
a large percentage of its annual income. Publishing rights
to all Lennon-McCartney compositions were sold during the
'80s for hundreds of millions of dollars, at one point
passing through the hands of Michael Jackson. Though Capitol
issued singles and out-takes compilations, a lot more
unreleased material remained unavailable due to ongoing
legal problems, and ended up on illegal bootlegs.
By the early
'90s, Paul, George, Ringo and Yoko Ono settled their
contractual disagreements, permitting the re-release of long
unavailable recordings. In 1994, Capitol issued a double CD
of early Beatles recordings for the BBC. Phenomenal sales of
Live at the BBC inspired more exploitation of
the group's legacy. In 1995, the surviving Beatles came
together to contribute to a TV documentary about the group
and select material for a planned rarities anthology of
out-takes and demos. While together, Paul, George, and Ringo
laid down music for two John Lennon demo out-takes, "Free as
a Bird" and "Real Love." Though the sound quality was often
abysmal, the material inferior, and the surrounding hype
insulting, America's aging populace ate up the three 1996
Beatles Anthology releases. which sold over 15
million copies in less than a year. Throughout the
rest of the '90s, Paul McCartney continued recording and
touring with various bands. Ringo Starr also toured with a
variety of rock and musicians, dubbing these groups Ringo
Starr and the All-Star Band. On November
29, 2001, almost 21 years since the murder of John Lennon,
George Harrison died at the age of 58 following a long
battle with cancer. The Beatles'
legacy continues to endure today, as evidenced by their most
recent CD compilation of number one hits, The Beatles
1 . Research
information courtesy of the Rock and Roll Hall of Fame and
Museum and RollingStone.com.




















LYRICS

Close your eyes, and I'll kiss you
Tomorrow I'll miss you
Remember I'll always be true
And then while I'm away
I'll write home every day
And I'll send all my loving to you
I'll pretend that I'm kissing
The lips I am missing
And hope that my dreams will come true
And then while I'm away
I'll write home every day
And I'll send all my loving to you
All my loving I will send to you
All my loving, darling, I'll be true
Close your eyes, and I'll kiss you
Tomorrow I'll miss you
Remember I'll always be true
And then while I'm away
I'll write home every day
And I'll send all my loving to you
All my loving I will send to you
All my loving, darling, I'll be true
All my loving, all my loving ooh
All my loving I will send to you